The Theater Department at Occidental College, through the support of the G. William Hume Fellowship in the Performing Arts, is pleased to present Actors From The London Stage in a performance of Shakespeare’s King Learon Friday, March 1 at 7:30pm in Keck Theater.
Beginning in 2001, Bruno taught in many departments at Oxy for 13 years, including courses in Art, Cognitive Science, Film, Music, and Theater, served as director of the Keck Language and Cultural Studio, and composed original music and created sound designs for a number of Theater Department productions.
Occidental College is offering a workshop and optional audition for prospective Theater majors and minors.
We are looking for all students with an interest in theater: actors, directors, playwrights, designers, stage managers, and technicians. Students will have the opportunity to work with faculty, meet some of our majors, and get firsthand experience of life at Oxy.
In a world where paranoia and toxic dominance corrupt the mind of the country's leader, two women negotiate with equal parts rage and grace in order to keep the whole kingdom from burning down.
In a world where paranoia and toxic dominance corrupt the mind of the country's leader, two women negotiate with equal parts rage and grace in order to keep the whole kingdom from burning down.
In a world where paranoia and toxic dominance corrupt the mind of the country's leader, two women negotiate with equal parts rage and grace in order to keep the whole kingdom from burning down.
In a world where paranoia and toxic dominance corrupt the mind of the country's leader, two women negotiate with equal parts rage and grace in order to keep the whole kingdom from burning down.
In a world where paranoia and toxic dominance corrupt the mind of the country's leader, two women negotiate with equal parts rage and grace in order to keep the whole kingdom from burning down.
In a world where paranoia and toxic dominance corrupt the mind of the country's leader, two women negotiate with equal parts rage and grace in order to keep the whole kingdom from burning down.
Through the work of female playwrights directed by female identifying students, the focus of the 2018 Women’s Theater Festival is “The Untraditional Woman: Does she exist?” The qualities considered “untraditional” in women have been manifest since the beginning of time. So, can an untraditional woman even exist? If she exists, what is she? If she doesn't, why, as women, do we continue to believe she does? And how do we combat this misconception through art?