Occidental's Son Jarocho Ensemble, directed by Cesar Castro, introduces students to the songs and instrumental techniques of son jarocho, a musical genre from Veracruz, Mexico that mixes indigenous Mexican, African, Spanish, and Arabic sounds.
This concert is free and open to everyone.
This is a CSP99 event.
Sam Clendenning Axiomatics in the Undoing and Reinvention of Hospitality
Will Dean Body/Camera: Shooting Blackness
Marcus Forbes The Poster; Force and Flow in the Formation of the Black Ballplayer: A Deleuzian Analysis
Miki Konishi Statelessness in Japan: Experience and Biopolitical Management
This is a CSP99 event.
Performing selected movements from:
French Suite No. 5 in G Major, BWV 816
Johann Sebastian Bach
Mazurka Op. 17, No. 4 in A minor
Fryderyk Chopin
Valse Op. 42 in A-flat Major
Fryderyk Chopin
Danzas Argentinas
Alberto E. Ginastera
This is a CSP99 event.
Music on a Friday Afternoon (or "MOFA") is an informal recital series where students showcase the music they've been practicing throughout the semester. A long-standing tradition in the Music Department, MOFAs allow students to gain performance experience while connecting with peers and community members.
Every concert features a new selection of classical and jazz favorites. Stop by each week and listen to the talents of Oxy's musicians!
This is a CSP99 event.
Come join the Jazz/Commercial Voice Studio to see and hear what these talented students have been singing this semester. Featuring performances by the students of voice instructor Loren Battley.
Oxy's orchestral ensemble Sinfonia will perform its spring program, featuring a choral work in collaboration with the Glee Club.
This is a CSP99 event.
Through the work of female playwrights directed by female identifying students, the focus of the 2018 Women’s Theater Festival is “The Untraditional Woman: Does she exist?” The qualities considered “untraditional” in women have been manifest since the beginning of time. So, can an untraditional woman even exist? If she exists, what is she? If she doesn't, why, as women, do we continue to believe she does? And how do we combat this misconception through art?
