Skip to main content

The Fairy Who Cried Gems

The Fairy Who Cried Gems is a cross-cultural, sometimes verbatim folk-tale, memoir, and celebration of identity, created and performed by Lily Abha Cratsley. She serves as a storyteller, employing dialogue, music, and movement to transport the audience through the oral histories of Desi American women. Through this piece, Lily explores her contradicting identities and discovers how Desi joy can be built out of legacies of trauma.

 

The Fairy Who Cried Gems

A cross-cultural, sometimes verbatim folk-tale, memoir, and celebration of identity, created and performed by Lily Abha Cratsley. She serves as a storyteller, employing dialogue, music, and movement to transport the audience through the oral histories of Desi American women. Through this piece, Lily explores her contradicting identities and discovers how Desi joy can be built out of legacies of trauma.

 

A Doll's House, Part 2

Directed by Jamie Angell
Stage Managed by Avery Jones

What happens when there’s a knock on the door Nora slammed 15 years ago? Having left behind her domestic “prison” to become an independent self-actualized woman, Nora is now forced to return in order to finish what she started. Lucas Hnath's A Doll’s House, Part 2 stays true to the characters Ibsen created while contemporaneously investigating the meaning and underlying impulses behind Nora’s slammed door.